After reading Room at the Top by John Braine I like writing in first person normally in present tense ... except where I drift back and forward in time.
In another recent post Russell states finding what to write - ideas and plots - is easy. The crafting of the story is the hardest part. Having started my self edit of my million words I am realising this to be so true.
Read on Douglas
Posted: 21 Jun 2014 09:17 AM PDT
I’ve been working on a NA romantic adventure, and writing it first person, present tense. And I’ve got to say, wow, what a difference in writing speed. I’m typically a turtle, managing 600-700 words per hour. On this? More like 1500.
I have no idea why that is. Could be because with NA I don’t have to spend nearly as much time considering word choice, trying to find the perfect fit to achieve the cadence I’m after. NA is simpler in terms of sentence structure and vocabulary, so a lot of the heavy lifting doesn’t have to take place – in fact, from what I can gather, you’d be writing over your audience’s head after a certain point, so it defeats the purpose. There are exceptions, like John Green’s latest, but that’s a notable exception, and I have a feeling if I went down that road I’d sell two copies. At least that’s what my research and beta readers have indicated.
Normally, when I write, I write prose, where I’m unconsciously trying to get a certain lyricism and musicality to the words. Whether I achieve that is besides the point, but that’s the goal.
Which is kind of silly, I suppose, given that I write action thrillers. I mean, how lyrical does a car chase have to be, right? Turns out, pretty lyrical. At least in my books.
Some readers hate that. Mainly other authors, who come from a school that was wildly popular in the U.S., where Hemingway’s lean, sparse prose was considered the ideal, and anything more than the absolute bare minimum was branded purple or flowery.
I have no problem with that school, and understand it well. But it’s just a preference, not a set of rules carved in stone. Unfortunately, as with Strunk & White’s Elements of Style, a whole group of silly preferences masquerading as rules (many contradictory, if you’ve read EOS recently) were taught in a dogmatic fashion, where that was the only way you could write “well,” and there are plenty of adherents. They, by and large, know what “good” writing is, and anything outside of the narrow parameters they learned is to be eschewed.
Those readers are almost always authors, because everyone but an author pretty much forgets most of that crap by the time the third beer’s poured on graduation day and they move on to shit that matters, like making a living or finding someone to cohabitate with or getting that damned car to start.
But back to first person, present tense. My customary approach is third person, past tense. It’s just how I naturally write, no doubt a function of the thousands of books I’ve read, almost all of which were written that way. But it does demand more thought, at least from me.
Which is all a long-winded way of saying I’m kind of digging the breezy quality of first person, present.
Of course, writing as a teenage girl is a little daunting, but that’s a whole nother story. Guess we’ll soon know whether that was a bad idea. OMG, LOL.
In other news, JET – Sanctuary has a gazillion sales on preorder, so June will be berry berry good to me. Oh, and Requiem for the Assassin just went on preorder, too, for a Sept release – which will also be when my co-authored tome with Clive Cussler, The Eye of Heaven, will go live. Other than that, the weather’s dependably in the low 90′s every day, the water’s warm and the beer’s cold, so I’m spending less time at the keyboard for a few weeks and more courting wildfire melanoma and cirrhosis. Which is as it should be. Live to work or work to live, right? Got to have a little fun every now and then…
Hope your summer’s kicking off nicely. Mine sure is.
